The Chained Muse

The Chained Muse

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The Chained Muse
The Chained Muse
Unifying Spirit between East and West: Giuseppe Castiglione (1688-1766), Italian Renaissance painter in the Forbidden City

Unifying Spirit between East and West: Giuseppe Castiglione (1688-1766), Italian Renaissance painter in the Forbidden City

By Mathew Ehret

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David Gosselin
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Matthew Ehret
May 11, 2025
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The Chained Muse
The Chained Muse
Unifying Spirit between East and West: Giuseppe Castiglione (1688-1766), Italian Renaissance painter in the Forbidden City
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Castiglione - One Hundred Horses (detail) (1728)

Instead of looking only at what separates the various cultures of the world as distinct from their neighbors, the time has come to commit ourselves to a true universal renaissance, whereby each culture finds what is most beautiful, good and truthful in themselves and also in their neighbors. The best discoveries of each culture when cross pollinated in this way will create new and incredible wholes that will always be more than the sum of their parts, and contain greater degrees of potential for creative expression and understanding than each could sustain on their own.

A Renaissance Mind in the Forbidden City

For those who are not familiar with the figure of Giuseppe Castiglione (aka: Lang Shi Ning 1688-1766), it is extremely rewarding to explore his works and incredible life as the court painter of three emperors during the Qing Dynasty (Kangxi, Yongzhen and Qianlong) from 1715 to his death in Beijing in 1766.

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A guest post by
Matthew Ehret
Journalist, cartoonist, Director of Rising Tide Foundation, founder Canadian Patriot Review, Senior Fellow of American University in Moscow
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